Design Engineer & Frontend Developer
I design and build digital products — from precise interfaces to conversational AI — and shoot medium-format film to keep my eye honest.
Years shipping
Disciplines
Bengaluru, India
Quantzig × Shell
A conversational interface that turns a sprawling enterprise knowledge base into an answerable, traceable system.
Building the full experience across the RAG retrieval pipeline, LLM orchestration, API layer, and front-end chat interface.
Tech Mahindra × Microsoft
Feature-rich React interfaces designed to feel fast, dependable, and inclusive inside Microsoft Teams.
Shipped reusable components, improved performance, and strengthened WCAG compliance with distributed product teams.
Mirafra × Pratham Books
A responsive digital storytelling experience that makes illustrated stories inviting across devices and reading contexts.
Translated visual direction into pixel-precise interactions, responsive layouts, and engagement-focused product improvements.
Some work is covered by confidentiality agreements. These case notes focus on the problem, craft, and contribution without exposing private product details.
I build the front end from pixel to production — and I shoot medium-format film to keep my eye honest.
I'm a design engineer working where craft meets code. For the last several years I've shipped React and Next.js interfaces for teams like Microsoft Teams and PrathamBooks — and I'm now building conversational AI at Quantzig, wiring RAG and LLMs into products people actually talk to.
Away from the screen I work in cinematography and motion, and I photograph on a Pentax 67II. The thread through all of it is the same: slow down, compose with intent, and care about the last 10%.
Full Stack Developer
Senior Software Engineer
Senior Software Engineer
Front-end Developer (React.js)
Front-end Developer (React.js)
B.E. Information Science & Engineering
Compelling storytelling through motion and visual effects.
High-performance interactive UI animations for the web.
Building intelligent applications with LLMs, RAG, and AI agents.
I shoot medium-format film to slow down — to compose with intent and embrace the physicality of the process.
A larger negative than 35mm means richer tonal transitions, cleaner detail, and a distinctive sense of depth. Fewer frames per roll, more intention per click, and a tangible connection to the image once it's developed.
I chase quiet light, strong geometry, and subjects that benefit from texture. Film rewards subtlety, so I look for moments that feel honest and tactile.
Pentax 67II
A classic 6×7 system — feels like a tank, shoots like a large SLR.
Meter carefully, compose patiently, keep notes per roll. The goal is consistency and character, not speed.